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The Film Áo Dài

Noir Taffeta Hand-painted

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一件竹纤维塔夫绸奥黛:黑色真丝裁成,长衫两侧嵌入白色真丝裁片,呈 35 毫米胶片齿孔的形状,在工坊手工缝制。高圆领,无袖,及地长度,胯部两侧开衩。按传统搭配同色黑真丝长裤穿着。Cinema 系列作品,由 Laura Fontan Pardo 为 2025 越南时装周设计。

Craft

Made by hand in our Hanoi atelier — cut, sewn, painted, embroidered — by artisans with decades in their craft.

Culture

Made where Vietnam meets Spain — a fusion of cultures that flows through art, music, photography and cloth, and turns each design into a story.

Ethics

Every thread honors the planet. We design for longevity, reject mass production, and use small-batch, zero-waste processes to care for our community and earth.

Craft

Made by hand in our Hanoi atelier — cut, sewn, painted, embroidered — by artisans with decades in their craft.

Culture

Made where Vietnam meets Spain — a fusion of cultures that flows through art, music, photography and cloth, and turns each design into a story.

Ethics

Every thread honors the planet. We design for longevity, reject mass production, and use small-batch, zero-waste processes to care for our community and earth.

The story

THE FILM

由 Laura Fontan Pardo 为 2025 越南时装周的 Cinema 系列设计。 这件奥黛是电影本身。系列一路构筑的一切——倒计时、放映机、观众、明星、导演的口令——在这里汇成正在放映的电影。长衫两侧,白色真丝的齿孔以规律的间隔排布,正如 35 毫米胶片的边缘。当穿着者迈步,影片便向前推进。 Laura 让它成为系列的最后一条,而她选择了奥黛。奥黛是越南的国服,为春节、为婚礼、为毕业典礼而穿——为越南生活中每一个女性想以最本真的自己被看见的场合。系列中的其他一切都以西方电影的语言绘成:好莱坞、Anaglyph、倒计时。而这一件,把整场演出带回了家。Laura 想执导一生的那部电影,她在越南拍成了。

THE FILM
THE FILM

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