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The Film Áo Dài

Shirts & Tops

セール価格$310.00
Size

An áo dài in bamboo taffeta, cut from black silk with white silk panels inset along both sides of the tunic in the shape of 35mm film sprocket holes, hand-stitched at the atelier. High round neckline, sleeveless, floor-length with side slits at the hip. Worn over the traditional matching black silk pants. Part of the Cinema Collection, designed by Laura Fontan Pardo for Vietnam Fashion Week 2025.

Craft

Made by hand in our Hanoi atelier — cut, sewn, painted, embroidered — by artisans with decades in their craft.

Culture

Made where Vietnam meets Spain — a fusion of cultures that flows through art, music, photography and cloth, and turns each design into a story.

Ethics

Every thread honors the planet. We design for longevity, reject mass production, and use small-batch, zero-waste processes to care for our community and earth.

Craft

Made by hand in our Hanoi atelier — cut, sewn, painted, embroidered — by artisans with decades in their craft.

Culture

Made where Vietnam meets Spain — a fusion of cultures that flows through art, music, photography and cloth, and turns each design into a story.

Ethics

Every thread honors the planet. We design for longevity, reject mass production, and use small-batch, zero-waste processes to care for our community and earth.

The Film Áo Dài
The Film Áo Dài セール価格$310.00

The story

THE FILM

Designed by Laura Fontan Pardo for the Cinema Collection at Vietnam Fashion Week 2025. The áo dài is the film. Everything the collection has built toward, the countdown, the projector, the audience, the star, the director's cue, arrives here as the film itself, running. Along both sides of the tunic, white silk sprocket holes appear at regular intervals the way they do along the edge of a 35mm reel. When the wearer walks, the film advances. Laura made it the last dress of the collection, and she chose an áo dài. The áo dài is Vietnam's national dress, worn for Tết, for weddings, for graduations, for every occasion in Vietnamese life where a woman wants to be seen at her most herself. Everything else in the collection was drawn in the language of Western cinema, in Hollywood and Anaglyph and Countdown. This piece brings the whole show home. The film Laura wanted to direct her whole life, she made in Vietnam.

THE FILM
THE FILM

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